Seth Krimsky
Principal Bassoon, Seattle Symphony
“it’s a revelation, it improved stability in the high register, enhanced legato, and opened up the sound by seemingly expanding the number of partials present".
"The most amazing benefit by far, is the way a crescendo will continue adding these partials the louder I play. It is really allowing me to play phrases with the kind of arc I've always fought to achieve. The added opportunity for expression is making me very happy. I have no intention of playing without it.”
